Original Songs

I don’t write too many songs nowadays. I used to. I think I wrote a couple of good ones in the past. In a fit of self absorption, I started to look through my old garageband files to see if I really had any good ones. I found ten that I think are good. Not all of them are old. Some of them are fairly recent. Anyway, I don’t always know what to post on this Everydayanotherstory Blog, so I fill it up sometimes with songs. I must say in my own defense, that, unlike most bloggers, I limit myself to original material. No utubes. No Quotations. I’m a purist.

This first song is called Moon Tides Over the Water, which I wrote maybe thirty years ago, but I recorded it the other day. I still like it, even though it’s a bit harsh.

Good and evil side by side/Fill up all the lanes on the superhighway/You drive your truck as fast you can/Into the night til you make it home//And it’s moon tides over the water……

The next song is another song that I wrote also about thirty years ago, but which Maybank and I tried the other month before the quarantine. It’s just a blues. It’s called I Used to Have the Blues

 

 

And lastly, a recently “written” little blues that can’t rank with the great ones, not even Bumba’s. But which I like, goshdarnit, so I’m throwing it in. Evening Train Blues

 

A Song In The Distance

Mira Jay of Divine Rhythm asked for one of my tunes. I looked for a recording of a tune I wrote a long time ago, a harmonica thing. Couldn’t find it on the computer so recorded it again a few days ago. Sorry about the singing.  I always thought it was one of my best tunes, but could never come up with words to match. Last year I made up some words that fit the opening scene of my book Up in the Bronx and used the tune to open the “soundtrack” CD titled Up in the Bronx and Down in L.A. – which is, I hope – a companion piece to the novel. 76731741So you can blame lovely Mira for this one.

I’ll add the opening of the book:

Chapter I

It was a late summer’s evening. The sun had just slipped out of view, and the sky over the elevated tracks had turned a deep orange. Old Sol was moving on: past the Harlem River, past Washington Heights. Past the mighty Hudson, past New Jersey. Past Pennsylvania. Sailing high over the vast remainder of our great, wide, God-blessed continent of North America.

Somewhere out there, the buffaloes were still grazing; perhaps one of them might lift his heavy head to examine the sun, while he chewed. Out in Montana, in Wyoming, and in Idaho the yellow sun still cast its gentle rays on the snowy peaks of the Rocky Mountains. Further west, in California, the late-afternoon surfers might still be descried paddling out toward the long, distant breakers, the sunlight glistening on the waters. However, in New York, up in the Bronx, it was the end of the day, the sun was setting, thank God.

Jack Isaacson looked down from his open bedroom window on the third floor of an old, five-story walk-up. Directly beneath him were the roofs of some unrented stores, the tar paper peeling under a gentle assortment of rubbish: strewn pages of the Daily News, empty paper cups, whatnot. Down on Jerome Avenue ran the trestle, the elevated tracks of the Jerome Ave #4 IRT line. Jack watched as some automobiles chugged their way up the hill from Jerome Avenue towards the Grand Concourse, some already with their headlights on, another day done.

He turned from the window and walked through the darkening living room and around into the kitchen. The window there also faced west, and the begonia plants on the sill stretched toward the last of the light. Some burnt petals lay curled on the old, linoleum floor. It had been a hot day. The summer of 1975, if you remember, was a hot one, setting all kinds of records for high temperatures. But in the Bronx, you would usually get a nice breeze in the evening, thank God.

Jack had lived in the Bronx all of his twenty-seven years. He had grown up in the east Bronx, and now rented this apartment on Morris Avenue and 184th St, not far from Fordham Road. His parents and two sisters had left the Bronx and moved to Florida. And it seemed most of his friends had either left the city for the suburbs or moved to the fast singles life of Manhattan. But Jack had remained in the Bronx: where he could still get by on his civil servant’s salary, where he still felt at home. The Bronx wasn’t what it used to be, but what was?

Jack Isaacson, son of Morris and Tillie Isaacson, was a tall man: six foot-two: thin, with an angular face and curly black hair, which fell over his ears in ringlets. His nose was big and hooked, like his father’s. His eyes were dark, and they shined as they reflected the last of the day’s light. Something was calling to him, drawing him silently to its bosom. Who knows what that “something” is, or what to call it? Jack stood with his hands in the pockets of his jeans, and watched as the light finally disappeared and the darkness began to slip over the sky.

The Copper Sea

I was playing this one again last week and think I got it pretty good, at least better than the other times I’ve posted it here on the blog. See the Oct 10, 20011 post and the sept 3, 2012 post. I keep working on the lyrics to this song, and I keep playing it slower and slower. Currently the words are:

We sailed the copper sea

We played out our destiny

We walked together in the sand

You were my woman and I was your man

Walk on, Walk on

The letters came a-tumbling from the sky

And the people walked away and didn’t wonder why

And the letters cast their shadows on the land

You were my woman and I was your man

Walk on, Walk on

We sailed the copper sea

There’s a song that you sang for you and me

And we crossed to the silver land
You were my woman and I was your man
Walk on, walk on

sunrise_over_mediterranean_sea

Here’s to brave Odysseus again
It’s an image, an archetype, that calls to us all. Such is the power of the classics.
The story of Oydsseus calls forth so many images – at least for me.
I’ve read the Illiad in the Lattimore translation and read The Odyssey in the Fitzgerald translation.
A good friend a long time ago recommended the Lattimore translation to me, and insisted that I needed to read the Illiad (and a good translation, he pointed out) in order to obtain a perspective on the rest of literature. He was quite right. The rest of literature pales in comparison.
The Homeric images, the feel from the book, are something that stays with you. Similarly the story of Jean Valjean is part of my personal world. Tolstoy’s characters as well. Let’s not be so hard on the rest of literature.

Going Back

I wrote this song back in NY. Since it relates to the same stuff as the previous blog, another brown-eyed girl, I just recorded it, and I’ll post it now in the name of continuity. I put in a rhythm track. Like most of my recordings indicate, I am in need of a singer. Applicants welcome. Help!!! Here are the lyrics:

Hey hey hey the sun is rising and it keeps on goin round and round/Should it be so surprising when good lovin’ just can’t be found?/Goin’ back/Goin’ back/Goin’ back to see my baby

Sky is glowing and I’m flying/Sun is going down/Get into the car, start driving/Turn the wheel and go downtown/ Goin’ back/Goin’ back/Goin’ back to see my baby

Standing outside her door and I knock four times/Open up and there she stands/She’s looking so surprised to see me/She says, “Baby are you still my man?”/Goin’ back/Goin’ back/Goin’ back to see my baby

Kansas City Blues

I don’t know why I have such a fondness for the city of Kansas City, Mo. Others dream of the Himalayas, Kathmandu, sunsets on the isle of Capri. But here I am thinking about Kansas City, Mo. all the time.  Now there have been a lot of versions of Kansas City Blues. Everybody and their brother have recorded the song. But I’ve been fooling around with this blues progression that plunges into the 4th (like Midnight Special and many others). Also, I’ve thrown in an extra 5th on alternate verses. Click to hear yet another version of Kansas City Blues.

Good and Evil

Good and evil side by side/fill up all the lanes on the superhighway/you drive your truck as fast you can/into the night til you make it home.

Moon Tides Over the Waters……

Thus begins a song I wrote a long time ago – and which is featured, interestingly enough, on the upcoming soundtrack CD which is titled Up in the Bronx and Down in LA:  a (somewhat) musical companion piece to the novel of (almost) the same name, both of which will soon (before the winter snows) be available for purchase on this very site……..

Press play to hear Good and Evil

Westside Drive

This is a song I wrote back in the Bronx days. It doesn’t belong with the other songs that I’ve included on the Up in the Bronx CD (which is soon to be released and will be available for purchase here on this very website!)

The lyrics start with: Drivin in the mornin sun on the Westside Drive. Just another day to be alive. Everybody’s got some place to go. Everybody’s acting in the know. I’m leaving you. I’m leaving you.

Sitting back I’m looking at a dream. Traffic is flowing by in an unconscious stream. But hey baby don’t you call so low. I could come back but tell me what for? I’m leavin you. I’m leavin you. etc etc. Click to hear this song that I wrote back in the 70’s – when they still had a Westside Drive.