Monday Magazine Section ====August 3, 2014.

A Note from the Editor

On behalf of all the members of the Bumbastories staff, I would like to offer some explanation as to why this Bumbastories Sunday Magazine Section has had its name changed to Monday Magazine Section. As you may or may not be aware, this Bumbastories blog is titled Every Day Another Story. For a brief while we at Bumbastories believed ourselves capable of answering the daily writing challenge: every day another story. Quite rapidly, though, Every Day Another Story devolved into a de facto “story maybe every couple of days” kind of thing.

Then we arrived at the weekly Sunday Magazine format!

And we’re even late on that!

So, with an admission of our incorrigible sloth, and with a touch of realistic goal-setting, Bumbastories has pushed back the deadline yet another day and will now publish the Monday Magazine Section.

 

⦿⦿⦿⦿⦿⦿⦿⦿⦿THE MONDAY MAGAZINE SECTION⦿⦿⦿⦿⦿⦿⦿⦿⦿⦿⦿⦿

 

George Packard, retired schoolteacher and roving reporter for Bumbastories was back out there – roving the streets of Los Angeles on his bicycle. Looking for a scoop.

Exciting stuff, no?

George thought so too.

This slideshow requires JavaScript.

 

George Packard, roving reporter, roved on….

∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆

 

How ’bout a song to move us along today? Click to hear Bumba playing Up a Lazy River or the umpteenth time. Bumba says he can’t help it. He uses the song to practice his chords.

∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆

And now for the thrilling continuation of the Ted Morris, Los Angeles Private Eye of the Raymoond Chandler ilk story.

 

Ted Morris picked up Angelina Despaigne from the Adelanto Federal Prison out past Victorville the day after Robert Kennedy got shot. It was a sad, sad time. For every one. Even the prison guards seemed to be in shell-shock.

Angelina Marquez walked quickly out of the big prison door and got into the car. She had tears in her eyes. Stiffly she sat next to Ted Morris in the car. She held her duffel bag on her lap.

“Drive, baby,” she spoke, looking straight out at the road ahead. She watched coldly as they passed through the prison gates, which were slowly opened for them after a quick inspection of Morris’ visitor’s pass and Angelina’s release papers.

Ted Morris, tough and hardened Los Angeles private eye, found himself crying too as he eased the low-riding black Chevy Impala onto Rte 395 and headed toward L.A. It was the emotion of Angelina’s release together with all the accumulated sorrow and held-back tears of the Kennedy assassination. The last chance had been shot down. It was the final nail in the national coffin. It was too hard a blow. As he drove he reached with his free hand down into his trousers’ pocket to get his handkerchief. He felt Angelina’s hand clutch his. He patted and then grasped her thin fingers with his big paw, as he carefully steadied the big Chevy on the road. Rte 395, long and straight and dusty lay ahead of them.

“At least you’re coming home,” he said, drying his eyes. “We’re all glad about that.”

“You’ll see'” he continued. “Francisco’s fixed you a party.”

“Ted Morris,” she began. “How do I thank you? Ever?”

“Hey, Angie, you know we made a deal.” He turned to look at her briefly. She was smiling as a tear ran down her cheek.

 

∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆∆

A Happy Monday and a Happy Week to All!

 

 

 

George Packard, Roving Reporter, Covers the Beverly Hills Beat

IMG_1120 IMG_1121 IMG_1124 IMG_1125 IMG_1127George Packard, who as roving reporter sometimes roves as far as five km from his apartment, was roving in the city of Beverly Hills the other day and sent in the following update on the famed Beverly Hills Post Office building and the just completed (or nearly-completed, it’s hard to tell) Beverly Hills Annenberg Center for the Performing Arts.

Recently opened to view after a long period of construction, the Annenberg Center concert hall is attached via a mysterious underground tunnel to the old Beverly Hills Post Office (a designated landmark building which is no longer a post office – much to the chagrin of all those hearty Beverly Hillers who wane nostalgic for the good, old-fashioned post-office experience of standing in line for at least fifteen minutes.

The Concert Hall – which appears to be a monstrosity – but let us not be too harsh or premature in our judgements – is not only contiguous with the old government-issue building, but also continuous with it!

George Packard wondered whether this architectural contiguity/continuity overlap explains why the project cost ?? million dollars.

The distinction between contiguity and continuity, however, remains a grammatical question which continually (but not contiguously I don’t think) gets George’s knickers in a knot. Poor George.

In any case, George Packard, roving reporter par excellence, took the following photos.

Note: All copyright privileges belong to George Packard.

And he can keep them!